Based on the manga "So Dangerous!?", which was released in 2019 and became an internet sensation, this coming-of-age film follows a group of high school students as they question the future of Japan. Asami Takahashi, a high school senior, has her own ideology about politics, influenced by her father, a former Ministry of Finance official. In her political economy class, she questions her teacher about her doubts, and ends up debunking him. Eventually, Asami, along with her classmates Abe and Nakatani, stand up to revitalize the declining shopping arcade, hoping to make the future a little brighter with their own power. On her way home, Asami visits a young local reporter, Mr. Arahata, to ask him to write a newspaper article about a festival in the shopping arcade, and on her way home she meets a talented councilor, Mr. Muto, who used to be a Sentai hero.

Angie must pack up her sister's home after she takes her life.

这部电影记录了在穆斯林统治下通过阿拉伯和非洲国家进行的现代奴隶贸易。 　　这部电影既在公共场所进行，有时也使用隐藏的摄像机，拍摄裸体、性和暴力等影响深远的场景——还有一些惊喜，因为奴隶是由到麦加的游牧者制作的，奴隶商人支付旅行支票。

Repurposing the video game Sleeping Dogs (2012), IN THE LONG RUN//WE ARE ALL DEAD is a single-take experimental machinima that unfolds within the rain-soaked, neon-lit streets of a virtual Hong Kong. Operating within the aesthetics of neo-noir, the work constructs a relentless pursuit—an enigmatic chase where the identities of both the pursuer and the pursued remain ambiguous. Sirens wail, bullets ricochet, and rain distorts the cityscape, reinforcing the sense of perpetual movement and existential uncertainty. Who is the runner? What is the nature of their escape? Is there an endpoint, or is the pursuit itself the defining condition of this digital existence? Offering no resolution, the machinima foregrounds the mechanics of pursuit as a metaphor for the relentless temporality of virtual worlds and the cyclical nature of digital violence.

A young photographer returns to his hometown after ten years in the city and becomes caught in memories of his past love. As he reconnects with his roots, he embarks on a journey of self-discovery and rekindled romance.

The clever and decisive Liu Miantang, as the first lord of Mount Yang, led the people of Mount Yang to punish the wicked, promote goodness, and uphold justice. However, she suffered serious injuries under the attack of various evil forces and was rescued by Cui Xingzhou, the Prince of Huai Yang. When Liu Miantang woke up, she had no memory of Mount Yang, mistaking Cui Xingzhou for her husband, Cui Jiu. However, if their identities were exposed, can they face it honestly while enduring hardships?

Indigenous people have been misrepresented in film since the beginning of the Classic Hollywood Era, and people believe that Native Americans have vanished. We Are Still Here.

A surreal, dreamlike film exploring love, depression and death.

Ki-Chul drives his friends out to a resort situated by an abandoned coal mine. His father owns the resort. When they get there, they cross paths with a spooky man who warns them about the coal mine. Later, the friends find themselves in a desperate situation and enter the tunnels of the abandoned coal mine. Will they ever see the light of day again?